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Click to go to the beginning. Click to go to the Gallery of Prominent Historical Figures. Click to go back. Click here to place a personal order.
Click to go to the beginning. Click to go to the Gallery of Prominent Historical Figures. Click to go back. Click here to place a personal order.

Enheduanna

-2285 ⇦ 35 -2250 

Ocupació: Poet, writer, priestess and prophet


Image Gallery

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Enheduanna is standing, writing one of his poems in cuneiform on a small clay tablet.

The statue shown in the video is a prototype and graphic representation, or 'rendering', of the sculpture. While the final physical statue may differ somewhat in chromatic appearance, it is possible to create an exact replica using materials like resin or lost-wax bronze casting.

You are free to:
Share - Copy and redistribute the images displayed here in any medium or format, as long as you follow the terms of the following license.


Enheduanna is standing, writing one of his poems in cuneiform on a small clay tablet.

📣 Important Notice! Due to high demand and my commitment to quality, I have reached the maximum production capacity in my figurine workshop. Unfortunately, I am unable to accept new orders for approximately 3 months.
🎨 I am the sole artist behind each figurine, without factories or assembly lines. Each figurine is a unique masterpiece, created with love and attention to detail.
✨ Keep visiting my website to stay updated on upcoming news and announcements.
Thank you for your understanding and continuous support! !

Send me a message, without any obligation, so I can notify you when we set the price and availability.

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Creation Process

  • I start a research on the character, read the biography and search all the information and images available on the web.
  • That’s when I start to get involved, reflect and get familiar with the character.
  • That’s when I start putting on “clay” paper the ideas and every detail of the character. The pose and attitude of the model is the basic part of the statue, I look for the best composition that reproduces and eternalizes our character. Model one or more sketches with Chavant Fine Art. Sculpting Clay.

Ideas born with clay!

  • Thanks to the new technologies of digital modeling and their knowledge, I can mold and express myself with 3D in the same way as when I do it with clay.
  • I use the most modern programs on the market, I start to mold in 3D the sketch made previously molded with Chavant clay.
  • In 3D modeling I reproduce one of the most difficult things to achieve in the digital world, the look and feel of real clay sculptures. I flee from hyperrealism, I want to leave my print, my line, my personal style.
  • I have located only two portraits of Emily Dickinson: 'Amherst' and that of Emily Dickinson and Kate Scott Turner of 1859, I have been guided by the recently discovered daguerreotype, showing her as a mature woman displaying a striking presence, strength and serenity, rather than as a teenager.
  • For Emily Dickinson's dress I have taken as a reference the portrait of 'Amherst'.
  • Before finishing the statue, I make a rendering of the prototype and a graphic representation, to see how it would look in reality, then that is when I make the final modeling touches.
  • Thanks to technology, today it is possible to print sculptures made in 3D with high quality resin. With SLA printers designed for use by artists.
  • What do you think Leonardo da Vinci, the Van Eyck brothers, the Impressionist painters and the vast majority of artists would do? advance, evolve!
  • All statues are painted with the highest quality Royal Talens Rembrandt acrylic color paints and brush.
  • If the statues are not exhibited, displayed, and disseminated, what is the point of all this work?
  • I want my work to be known and, taking advantage of the rendering, I make the relevant photos and videos to insert on the website and edit the creative spots of each character.
  • All these statues, in short, are the maquettes of the statues that I would like to mold in real size 1:1 with clay and then cast them in bronze.

“Enheduanna has been celebrated as the earliest known named author in world history, as a number of works in Sumerian literature, such as the Exaltation of Inanna feature her as the first person narrator, and other works, such as the Sumerian Temple Hymns may identify her as their author. However, there is considerable debate among modern assyriologists based on linguistic and archaeological grounds as to whether or not she actually wrote or composed any of the rediscovered works that have been attributed to her. Additionally, the only manuscripts of the works attributed to her were written by scribes in the First Babylonian Empire six centuries after she lived, written in a more recent dialect of the Sumerian language than she would have spoken. These scribes may have attributed these works to her as part of the legendary narratives of the dynasty of Sargon of Akkad in later Babylonian traditions.“    (Wiki - Enheduanna)

Citations consulted.

Enheduanna Disque d'Enheduanna. Albâtre, v. 2350-2300 av. J.-C. Ur. Diamètre : 25.6 cm, épaisseur : 7.1 cm. Description du bas-relief : scène rituelle, un prêtre fait une libation devant un autel à quatre étages (à gauche), accompagné de trois personnes, dont la prêtresse Enheduanna en posture de prière (troisième personne en venant de la droite).,  | 
EnheduannaExhibit in the Oriental Institute Museum, University of Chicago, Chicago, Illinois, USA. This work is old enough so that it is in the public domain. Photography was permitted in the museum without restriction. Translation: "As I, Inanna, approached the mountain it showed me no respect, as I approached the mountain range of Ebih it showed me no respect. Since they showed me no respect, since they did not put their noses to the ground for me, since they did not rub their lips in the dust for me, I shall personally fill the soaring mountain range with my terror. Against its magnificent sides I shall place magnificent battering rams ...".,  | 
EnheduannaVotive statue of a woman in an attitude of worship; carved from white stone; top of head cut to affix wig; wearing a three layered flounced garment; 6 row necklace; ear-rings; clasped hands; hair, eyebrows, eyelashes and upper border of garment painted black and the necklace painted red; eyes inlaid; dowel holes behind head and at base., 2000BC-1750BC | 
Enheduanna,  | 
Enheduanna,  | 
Enheduanna,  | 
High Priestess Enheduanna: First Named Author in History: Princess (Part 2 of 5)
High Priestess Enheduanna: First Named Author in History: Conclusion (Part 5 of 5)
Episode 1 – Enheduanna
EnheduannaSmall copper alloy statuette of a woman, a (goddess), possibly Lama, the arms and eyes separate and now missing. In the base a dowel hole. The figure has a horned head-dress and a dress in successive flounces (Hendursag).,  | 
Enheduanna,  | 
EnheduannaScribes in the First Babylonian Empire would have copied Sumerian literary works such as The Exaltation of Inanna as part of their scribal education.,  | 
Enheduanna,  | 
Enheduanna,  | 
High Priestess Enheduanna: First Named Author in History: Priestess role (Part 3 of 5): Priestess
Enheduanna, première autrice de l'histoire - Culture Prime
Women’s Voices in Sumerian Erotic Poetry
Enannatuma’s Statuette: The Digital Daily Dig
Enheduanna, the first author
The ancient secrets revealed by deciphered tablets | BBC Ideas
Enheduanna

Citations consulted. Mendeley


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